You've Finished Your First Manuscript. Now what?

Vanilla Ice—of all people—has sage wisdom to impart.

This post is part of the Write With Me series. For more like this, check out the writing your novel page.

First of all, congratulations! There are so many people who take on the challenge of writing a novel, only to constantly start over or abandon the project entirely. If you've made it start to finish, you're already on the right track to (maybe) holding your book-baby in your arms.

But how do you get to the proud moment where you can flip through the pages of all your hard work? It's a long and winding road, one that is a little different for all writers. There are two people we can pull in for advice on the matter, however.

One of them is me. I'll tell you what not to do, based on my own experience.

The bearer of sage advice is, well, Vanilla Ice.

In his 1990 definitely-not-a-ripoff-of-Queen hit "Ice Ice Baby," Vanilla Ice utters words which will be remembered until the end of days—stop, collaborate, and listen.

Little did he know then that those three words would provide perhaps some of the greatest advice any beginning writer should take into consideration after completing their first novel. Let's see how they apply below.

Stop

The number one mistake any beginning writer can make at this stage is, in my opinion, to not take a step away from their manuscript for a time.

The difficult truth is, your book-baby is a lot like everyone else's book-baby after a first draft. With the right care, it could become a star athlete or a true-to-self artist or a wonderful teacher, but how you raise (read: edit) your book-child has an immense effect on its ability to reach its full potential. If it were a real child, you couldn't just kick it out into the world and hope someone else would raise it for you, appreciating the potential it holds within its genes. You have to put in the work to help shape that potential.

What many take from this, of course, is that one must smother their book-baby with love and attention. If only they do enough editing, if only they make sure they differentiated their thans and thens and they'res, theirs, and theres, their book-baby will be on the path to glory, right?

Wrong—thus spoke Vanilla Ice.

It may be hard to do, but you need to STOP for a specific amount of time. Maybe it's a week or a month or half a year, but you need time away so you can come back to it with a renewed perspective. Your book-child will benefit from this space, and so will you. You're not abandoning it, you're just letting it reveal its best self to you.

When the completion of my first manuscript was in sight, I did everything in my power to ensure I had a "finished" copy in my hands before an upcoming writers' conference in my area. I was positive that the manuscript's premise alone would guarantee me a book deal, and after three extremely validating pitches to literary agents during the conference, I had every reason to believe my initial hunch was correct.

One of the agents with which I met requested a full manuscript immediately. Another one asked for the first fifty pages. The third, not really a literary agent but more of a TV/film type, told me to contact her personal assistant "when" (not if, but when) I got my book deal. She wanted to acquire the visual media rights!

As one might imagine, I was pie-in-the-sky elated. My book-baby was unique! My book-baby was special! My book-baby was going to be the one that defied all odds.

I read the entire manuscript over one more time (yes, only one more time), before sending off the requested pages. A month passed. Then another. One agent never got back to me, even after attempts to follow up. The other did after a few months, confirming my worst fears—they still loved the premise, but the writing just didn't bring it home for them.

I was devastated.

As I reread my manuscript trying to figure out where I went wrong when birthing my book-baby, I realized that all of that agent's criticisms were spot on. My characters didn't take center stage. The action took too long to develop. My prose was clunky and overwritten.

Those weren't this agent's words (this agent was much nicer to me than I was to myself), but the lesson was clear: my book-baby just wasn't ready to be a star quarterback. My book-baby wasn't even ready to tie its shoes. I don't even know if I gave it shoes, to be honest. I was a bad bookdad.

So what should I have done? Number one, I shouldn't have rushed the "final" product. I should have listened to Mr. Ice. I should have STOPped and given myself a chance to come back to the manuscript at a time when I wasn't so attached to it emotionally.

But stopping alone wouldn't have been enough to save this book-baby, oh no. And it may not enough to save yours. That's why it's also important to follow through to step number two.

Bonus post: Trying to figure out what to do with yourself once you've set your book-baby aside for a time? This post can help!

Collaborate

All parents love their book-babies. Well, maybe not all. Sometimes we write something that we know is garbage, but in my experience those are rarely the projects we finish. Chances are that if you stuck out a manuscript long enough to finish it with "END," you're taking some pride in it, at least.

And pride, well... pride will leave you blind. That's why collaboration is key to helping you coach your book-baby through its first steps.

"But writing is a solitary art," you might say. You wouldn't be wrong to say that, but the world of editing and publishing is anything but solitary.

There are a handful of ways to collaborate with others in order to make your book-baby the best that it can be.